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Joined 2 years ago
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Cake day: June 12th, 2023

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  • In answer to the making a good living:

    Historically, record labels, then streaming becoming the norm allowing the collision between record labels and streaming services driving down the artist’s cut. Now increasingly so more recently, Live Nation/Ticketmaster and similar live event conglomerates taking bigger cuts and liberties from the last line of revenue traditionally successful artists have. And it’s at every level, there will be a local event promoter behaving as the live nation of local music in your area.

    For new artists, most people discover music via streaming recommendations these days, if the algorithm doesn’t smile on a given artist for whatever reason, they won’t get played, and therefore they won’t get signed (given more and more up and coming artists self publish their earliest stuff these days)












  • I assume this is coming at some point, tbh

    I personally reckon they’re working on something YAbridge-esque to allow people to bring their VSTs to the push in standalone mode. If they can actually nail that, it’s an absolute no brainer to then release a full Linux version of the DAW and finally allow people like me to make the switch

    Every time I’ve tried to run Ableton on Linux over the years (most recently about Christmas last year), it’s the VST support that lets me down. I’ve got hundreds of VSTs I’ve used in various projects over the past couple of decades and I can’t switch unless I know they all work properly—projects not loading or sounding different is unacceptable. I need to be able to open anything I’ve worked on over the years and be able to get right into the creativity without tinkering, as that is what I already have today.

    Until that day, I’ve got to begrudgingly keep windows around.